Masakali is brilliant - especially the opening tune. The male voice fits the setting beautifully. Everytime I listen to it I feel like dancing but end up twitching mimicking dancing. So chirpy.
Dil Gira Dafatan is the offset un-ringtonable soothing melody identifiable only if both voice and music are combined, which will become the breakout tune for the movie.
Rappy Delhi 6(the song)'s French rap is a rehash from Aye Bachchu from the Hindi Ghajini, so if ever I listen to it it will be with a feeling of conviction.
Bhor Bhaye seems to be purposely made for a one generation-removed dance setting.
Genda Phool sounds like a folk song set to modern beats, it would have been a trance song if it had been slower.
Aarti is a bhakti chant; Arziyan is a Sufi chant I guess, whose beginning is like Khwaja from Jodha Akbar.
Rehna Tu makes you ponder into the far depths of your soul trying to make sense of life. The Doordarshan-theme-like inset towards the end of the song is interesting.
The promos look inviting; Abhishek seems to deliver a natural and outgoing performance. Sonam Kapoor looks pretty good but will have to wait for the film to judge her acting. The movie looks like a page out of a guy's stay in the pot pourri of Delhi city, with a romantic touch. A must watch, at least for the music. And Abhishek. And Sonam.
It better be good!
Friday, January 23, 2009
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